玻璃少女

迷(mí )幻少(shǎo )女遇著過氣公安老(lǎo )頭，未必是貓捉老鼠累(lèi )鬥累，也可以是(shì )從老前(qián )(🔧)輩(bèi )(🎗)身上(🆖)學會認識自己。阿(ā ) P 為追(🎾)阿初欠她的債，偶然與阿初(😎)的外公(⚫)相(xiàng )遇，兩個生(🤷)活態度(🎡)南轅北轍的(de )人，就是(shì )這樣在荒謬的(🛺)處(chù )(📞)境中相(xiàng )(🥞)互(🗑)學習。阿P在(zài )當(dāng )中看(🐶)見年(nián )(🕕)青(🤯)一(yī )代的無奈：十六歲的迷途青春、(📯)愛情的(de )(⏯)無(😞)助、軟性毒品的蠶食(㊗)、面對(💻)父母(mǔ )失敗的(de )婚(hūn )(🐑)姻、(🙌)自(zì )己渾噩的前途....阿初無(🍄)故(gù )失蹤，又是否因(yīn )抵受不(bú )了(💠)同樣殘酷的(🎋)青春？世情像(🧣)玻璃，有時看得透(tòu )，有時不，相同(🍑)的(👊)只(zhī )是：兩者同樣冰冷易碎。　　The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.　　(😄)Source 25th HKIFF (2001)……